Neil Reynolds: writer, producer, performer


brackishwater.net: blog, portfolio, calendar

 

The Tides of March

Drop Cap Letter: March has been an overwhelming month.  I spent most of February obsessing over the particulars of my graduate/film school applications, which I finished back in October and then forced out of my mind.  But not for long, of course—as snow melted and winter receded, notification-deadlines began to loom, and by late February every day felt like waiting for the results of an MRI.  I remained cautiously optimistic, but only just.

Earlier this month I was offered a place in the Peter Stark Producing Program at USC.  I accepted on the spot; it was and is my first choice program, an intensive immersion in the art and business of the film industry that seems to implicitly reject the notion that “artistic” and “commercial” projects exist in different spheres.  Unfortunately I can’t talk too intelligently about the curriculum, beyond what I’ve read, which is half-fact, half-pitch.

Exhibit A (New York Times)
Exhibit B (Variety)
Exhibit C (Variety/Program Director)

I don’t begrudge any program its bragging rights—stellar reputation is what drew me there in the first place.  The little legends are awesome, too—I love the anecdote about a Starkie throwing a chair in a passion-fueled dispute.  (“There’s your Felliniesque!” I imagine him screaming.)  Still more impressive is whatever the other guy said to provoke the chair-tossing.  Apparently I have four months to hone my dodging skills.

image
THIS IS HOW MOVIES ARE MADE!

Anyway, back to March.  It’s about to end, you know.  And then it will be April, and then it will be May, and then, in June, Sarah and I will be enjoying our final days as Boston-Cambridge residents.  For me, it will have been just under seven years—for Sarah, closer to ten.  A friendly reminder that time flies, which is itself a friendly way of saying, life is too fucking short.  Our relocation is no trivial thing—in addition to the logistical and financial burdens, we’ll be leaving behind our community of friends, family, and artistic collaborators, just trusting that in LA we’ll find new opportunities and awesome people, and that eventually we’ll find the money to visit old friends.  Anxiety?  We have it in spades.  But we’re not complaining.  It’s exciting, it’s a priviledge, it’s a challenge, it’s the next chapter in the great adventure we promised each other when we married.

Onward, friends!  Come, collaborators!  Adventure awaits us all.

Posted by Neil on 03/24 at 05:51 PM

Best of luck, Mr. Reynolds!  It seems hard to believe, but I probably have a better chance of visiting you in LA.  Boston is just too damn close to Vermont :)

Posted by Jory  on  03/25  at  08:26 AM

We’ll miss you guys.

Interestingly, I’ve been reading this book on The Second City that I got for Christmas (http://www.amazon.com/Second-City-Unscripted-Revolution-World-Famous/dp/034551422X), and it appears that they threw chairs too.  What is it with chair-throwing?  I suppose it’s more convenient than a table and more dramatic than a soda can.

Posted by .(JavaScript must be enabled to view this email address)  on  03/25  at  08:33 AM

You guys are going to do great out there.  So excited for you.

Posted by Brian  on  03/25  at  09:03 AM

Thanks guys!

Improvisers throw or knock over chairs all the time in scenes—I think it’s our default “look how comically angry I am” move.  Shame we don’t throw space-chairs, or better, space-kitchen-sinks.

Posted by Neil  on  03/26  at  09:18 AM
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